The Best Lens For Nikon D5500 should ideally be a versatile lens that can cover a wide range of needs, from landscape to portraiture to action. But with so many different types and brands of lenses available, it can be tough to choose the right one.
In this article, we’ll take a look at some of the best lens for Nikon D5500 DSLR camera. We will discuss what each lens is best suited for, and help you choose the one that will best suit your needs.
|Nikon 18-300MM||Check On Amazon|
|Nikon 18-200mm||Check On Amazon|
|Sigma 18-250mm||Check On Amazon|
|Nikon 18-85mm||Check On Amazon|
|Nikkor 50mm||Check On Amazon|
|Nikon 35mm||Check On Amazon|
|Sigma 17-70mm||Check On Amazon|
|Nikon 55-200mm||Check On Amazon|
|Nikkor 55-300mm||Check On Amazon|
|Nikon 40mm||Check On Amazon|
Best Lens For Nikon D5500
Here is our recommended list of the Best lens for Nikon D5500:
If you are looking for a versatile lens that can do it all, the NIKKOR 18-300mm f/3.5-6.3G is a great option. This telephoto zoom lens is perfect for shooters using a DX-format camera, as it offers high performance and excellent image quality.
This lens is perfect for anyone who wants to take their photography skills to a new level. This lens can handle any type of camera in any situation. You can use it to take pictures of colorful things or things with a lot of detail. You can also use it to take pictures of sports, vacations, and animals.
Build quality and ease of use
The Nikon 18-300mm lens is big and hefty than the previous model. This lens has a wide range more than any other Nikon lens. When it is fully extended, it becomes unbalanced.
I am not sure what Nikon was thinking when they designed the lens. It seems like it is a nightmare for DX shooters. Some people might want a hefty lens for high-performance for different reasons, but the 18-300mm lens is not very sharp.
I think the 18-300mm lens is a bit heavy. But it’s amazing how well it performs. Some people want DX cameras because they are lighter. So for those people, the 18-300mm would be a little bit heavy.
The lens is well-constructed and feels strong in your hands. This does not mean that they are weak. The Nikon 18-300mm lens has a strong metal interior to keep the optics safe. The lens mount is also made of metal, rather than cheap plastics like in some basic kit lenses.
The Nikon 18-300mm DX can handle low and high temperatures, as well as cold and dry air. However, I wouldn’t expose it to rain, excessive dampness, or dusty environments. When the zoom is turned up, the lens barrel extends further out.
If dust accumulates on the lens barrel, it may be quickly drawn into the lens. Be careful not to let too much dust build-up on the lens barrel especially when you are using the higher zoom levels.
The zoom ring is smooth to operate. You can rotate it from 18 to 300mm and the other way around quickly. When I first started using it, the zoom ring felt stiff. But it got smoother over time. It takes more than a 180-degree turn to go from 18 to 300mm, so you can zoom in or out on objects quickly.
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Autofocusing and Accuracy
The AF-S Silent Wave Motor in the Nikon 18-300mm f/3.5-5.6G VR’s autofocus motor is ideal for taking pictures of things close to you. This is because it is very quiet and works well. The autofocus is also reasonably quick, but not as fast as some other lenses.
When you use continuous mode, the autofocus only works well at shorter focal lengths. If you try to use it at a longer focal length, the autofocus will start to not work very well. There is some poor vignetting at close to 18mm.
Is that lens for you?
Overall, The lens is quite good and has an impressive autofocusing system. It’s ideal for macro photography. After examing every aspect, we think this is the best lens for Nikon d5500.
Nikon 18-200mm f/3.5-5.6G is another best lens for nikon d5500 manufactured by nikon itself, which is quite amazing. This lens is popular because it can cover a lot of different shooting situations. The Nikon 18-200 lens has soft corners at maximum aperture and medium focal lengths. There is also significant geometric distortion across a range of focal lengths.
Chromatic aberration, Vignetting and Distortion
Chromatic aberration is low at both the wide-angle and telephoto ends of the zoom range. This is where Nikon does better than its third-party rivals, as chromatic aberration never gets as bad at the extremities of its focal length range as it does with either model, especially at the telephoto end.
The lens has more vignetting than the competition’s lenses. It offers a wider opening at 18mm and more across much of its range than other lenses. Barrel distortion is at its highest when the lens is at 18mm and it decreases as you get closer to 50mm. After 50mm, the distortion decreases even more.
Also Read: 5 Best Fujifilm Lens For Food Photography
Ease of use and Build Quality
With this lens, You don’t need to worry about dust getting into your camera body while swapping lenses. Dust on the sensor of your digital SLR camera can show up in every photograph you take. If this happens, it is difficult to clean the sensor while traveling.
Some other lenses are cheaper than the Nikon 18-200mm f/3.5-5.6 VR lens, but they don’t have Nikon’s vibration reduction technology. The Nikon 18-200mm lens is heavier and more solid feeling, and it also appears to be more durable.
Is that lens for you?
Overall, The lens quality is very good, and the build quality is also top-notch. This lens work in every situation no matter which type of photography you want to do. This is lens is offering quite good features at this price tag. So go for it and don’t forget to share your experience.
Another one of the best lens for Nikon d5500 from the Sigma brand. The Sigma 18-250mm f/3.5-6.3 DC OS HSM is another lens that is durable and easy to carry. The lens has a 13.8x zoom ratio and covers focal lengths from 35mm to 375mm.
This range will work with most camera makers (28.8mm to 400 mm on Canon bodies). A Hybrid Optical Stabiliser is included in the design, allowing shake reduction in both photographs and the viewfinder image.
Build Quality & Easy of use
This lens is of the same high quality as other Sigma lenses. This lens is very durable. The zoom action is smooth and easy to use. The lens also has a lock to prevent it from extending when the lens is pointed down.
Optical construction is very complicated. Lens has four Special Low Dispersion (SLD) glass elements and three aspherical lens components to counteract common flaws. The lens has f/3.5-6.3 maximum apertures, which means they can let in a lot of light.
Lens can focus close to 45 cm away from the object, no matter what the focal length is. That means it is good for taking pictures of things close up. You can also use filters on it that are angle-specific, like polarizers and graduated neutral density filters.
The Sigma EX DC HSM Lens has a motor that helps keep focus smooth when moving at moderate speeds. The lens coatings also help reduce flare and ghosting. They also have anti-reflective qualities.
This lens feels good in your hand because it is made with a metal mounting plate and has a better build quality. It is a little bit heavier than cheaper plastic lenses. You can only move the focus ring when the lens is set to manual focus mode. The focus ring will travel about 30 degrees before it goes back to its original position.
We discovered that for the specified focal length settings, the zoom ring travels about a quarter of a turn. The markings on the lens barrel are accurate for most of them.
This lens is good for its price. It is not the best lens, but it is good. The maximum apertures are small which makes it hard to focus in low-light situations. This lens had a low level of lateral chromatic aberration with such a wide zoom range.
In some test photographs taken in harsh outdoor light, there was little colored fringing. The lens had internal surface coatings that helped to reduce flare and ghosting. The backlighting didn’t affect the colors or tones in the picture.
The shallowest apertures caused some vignetting, but it was minor and happened over the whole focal range. This difficulty was almost completely removed when stopping down by just one f-stop. At 18mm focal length, barrel distortion was very obvious. However, at 35mm focal length, it was not as noticeable. distortion became more significant around the 250mm focal length position when compared to its 28mm counterpart.
The close-up performance of the lens was good. It was able to take good pictures of flower clusters up close. However, the autofocusing system often chose to focus on the center of the frame. With longer focal length settings, background elements became quite chaotic at lengths beyond about 80mm.
Is that lens for you?
Overall, The lens is capable of producing great images with low distortion and chromatic abbreviations. This lens is perfect for travel photography. Flare resistance in the backlit situation is also amazing in this lens. If you are looking for a long zoom lens with image stabilization then it’s ideal for you. So grab it now!
This is Another best lens for nikon d5500 in our list. This Nikon 16-85mm f/3.5-5.6 lens is good for a lot of different types of photography. You can use it indoors and outdoors for events, landscapes, and portraits. It’s perfect for everyday photography.
This lens is sharp. It only becomes less sharp when you use the smallest apertures and when you set it to its max focal length. But it is still sharper than other lenses when you do this.
The picture quality is good, but there are a few areas where it’s not so good. This happens when you switch to the widest aperture (16mm, ƒ/3.5) or zoom in (full telephoto). When you stop down the lens to ƒ/5.6, though, the image will be sharp across the entire frame.
In a wide-angle or full telephoto, there may still be some mild corner softness; however, it’s not particularly obvious. This lens is a good choice for someone who wants a lens that can do it all. It takes sharp pictures, which is impressive considering how affordable it is.
Chromatic Aberration, Distortion & Vignetting
The telephoto lens has good chromatic aberration tolerance. This means that when you zoom in to 100% on a computer screen, you will only see it in the corners of the photo. It is an incredible achievement that this lens does not have chromatic aberration throughout the rest of the photo.
Lenses with wide angles often have darker corners. This is because they are more likely to have chromatic aberration, which is when colors are not lined up correctly. Unfortunately, this means that you will have to pay a price in terms of sharpness and color accuracy. The 16-85mm lens is no exception.
Wide-angle lenses have to deal with image distortion. The 16-85mm lens has some drawbacks when it comes to distortion. When the lens is set between 16 and 21mm, barrel (bloat) distortion is apparent. Distortion changes to squeeze style at focal lengths greater than 21mm. The distortion results are not that much.
The focusing is quiet and fast, if not lightning quick: the AF motor took about a second to course from closest focus to infinity. The ultrasonic motor also implies that you can override the AF motor at any time by simply rotating the focus ring without changing the camera or lens to manual focus mode.
Build Quality and Ease of use
This lens is small for a DX lens and it is easy to balance for Nikon lovers. Two rubber-ribbed rings control the zoom and focus. The rings are nicely separated, so there is no chance of confusing the two when working blind or looking through the viewfinder.
The grip on the lens helps you hold it. The zoom motion was smooth and felt sturdy. It didn’t feel too tight or like it would zoom creep across the focal length range. The front element does not rotate while focusing or zooming, making working with polarizers a pleasure. The lens mount is metal, although the filter threads are plastic.
Is that lens for you?
This lens is fantastic. It is very sharp and does not have a lot of chromatic aberration. There are some distortion and vignetting issues, but Nikon engineers made sure that sharpness was the top priority. This lens is a big improvement from the last one. It has a better range and it is easier to use. So go and get one!
The Nikon 50mm f/1.8G lens is perfect for anyone looking for great optics at a low price. The large aperture of f/1.8 allows for great low-light pictures and also makes the background blurry, which makes your subject look more beautiful.
The front lens element does not move when the autofocus system is working. This makes the lens more durable and easier to use filters and filter holders. This lens has an amazing autofocus system. This means that you can use manual focus override, even if the lens is set to autofocus.
The Nikon 50mm f/1.8G also has Super Integrated Coating. This helps to reduce lens flare and ghosting. This lens is compatible with both FX and DX sensors. However, the lens performs better with FX sensors for everyday use.
The lens on a DX sensor is similar to a 75mm lens which is good for taking pictures. But it is too long for other types of photography. The 7-blade diaphragm makes the background blurry when the aperture is set to more than f/2.
Lens Handling and Build
The Nikon 50mm f/1.8G lens has good construction, with a plastic exterior and a metal mount. The lens’ optical and barrel modifications increased in size. The Nikon 50mm f-1.8G lens has a rubber gasket on the lens mount. This helps keep dust out of the camera. The rubber gasket also helps to keep debris from entering the lens.
Nikon lenses with gold rings are not built for professional use. They are not weather-sealed, so you should take care of them and use a protective filter when using them in harsh weather conditions.
Remember that when changing the lens in a dusty or windy environment, you must take great care. Be very careful when rotating the focus ring to infinity. This is because the rear lens element slides in and out.
The focus ring is on the focusing knob. This can be adjusted with one finger. The lens is positioned on the front of the barrel, making it easy to focus with just two fingertips while shooting photos or videos.
Autofocus Performance and Accuracy
The Nikon 50mm f/1.8G autofocus system is faster than the Nikon 50mm f/1.4G. I tested how fast the autofocus was on two different cameras. With the lens cap on, it went twice as fast from infinity to close focus and back. Then I took off the lens caps and timed how long it took to get focus from infinity to the closest focus distance.
I thought the 50mm f/1.8D lens would focus a little faster than the 50mm f/1.4 lens, but that was not the case. The accuracy of focusing is similar, although the 50mm f/1.8D is noisier because it has a more powerful motor.
Is that lens for you?
Overall, The lens is quite good and the performance is amazing. According to our test, This lens is some noise because of its powerful motor. This is the only issue we can find out. Its accuracy and autofocus system are too good. This is one of the best lens for Nikon d5500. So try it out!
Nikon 35mm f/1.8 is another best lens for nikon d5500 in our list. This lens is very impressive and the build quality is up to the mark. We know that the lens is quite old but the performance which it provides is excellent. The lens price is also very low.
Ease of Use
The Nikon 35mm f1.8G lens is tiny and light, just 70×52.5mm and weighing 200g. The plastic outer barrel feels cheap, but the metal lens mount makes it lightweight and affordable.
The Nikon 35mm f1.8G lens is designed to be used with digital SLRs that have a DX sensor. If you use this lens on a film body, the edges of the picture will be darker than the center. The camera will automatically change to DX mode and shoot at a lower resolution if you attach it to a DSLR with an FX sensor.
By default, the Nikon D3, D3x, and D700 show the same kind of vignetting as film bodies when using ‘Auto DX crop’ and ‘FX-format.’ This means that if you have one of these cameras and use this lens, part of the image will be cut off at the edge.
The Nikon 35mm f1.8G lens is not unique because it doesn’t have any special features. It is a G lens, which means it doesn’t have an aperture ring. This isn’t necessarily a bad thing; all of Nikon’s Digital SLRs let photographers set the aperture they want on the camera and send this information to the lens.
The Nikon 35mm f1.8G lens has a technology that allows it to work with all Nikon DSLRs, even if those cameras don’t have an in-body focus motor. This technology also allows you to override the focus manually, even if the focus mode switch is set to M/A.
The focus was quiet and quick when we tested it on a Nikon D5500. Live View auto-focusing, on the other hand, was not as good. The 35mm f1.8G is not optimized for contrast-detect autofocus, and focus times in Live view were not significantly better than with the 18-55mm VR lens that is frequently included with the D5500.
Chromatic Aberrations and Vignetting
If you take photos using an older Nikon camera, you will see purple or cyan fringes along contrasty edges. However, if you take photos in JPEG mode with a newer model Nikon camera, the fringes will be hidden by the camera’s processing.
If you have a DX or FX body, the corners of your pictures taken with this lens on those cameras will be very dark and almost black. But since this lens is not designed to work with those cameras, this cannot be considered a bad thing. There is no darkening of the corners on a DX body, and light fall-off will not affect your pictures very much.
This is not a macro lens. The closest focus distance is 30 cm from the image sensor plane, and magnification varies from 0.16 to 0 when panning. The greatest possible area that can be recorded is approximately 135×90 mm.
Is that lens for you?
Overall, Lens is very good and comes with carrying case. The lens produce crystal clear images and even good in low-light conditions. If you looking for powerful low cost lens and not have any problem with old lens then this one is for you. So have it now!
The Sigma 17-70mm F2.8-4 DC Macro OS HSM C is a lens which is good for taking pictures of things that are close up and far away. This is a lens for people who have cameras with sensors that are smaller than full size. This lens will give you the same angle of view as if you were using a 25.5 to 105mm lens on a camera with a sensor that is smaller than full size.
This camera lens has a rounded blade that makes the background look blurry. The lens is also good for taking pictures of things close up. It can focus on things that are close to the camera and it also takes pictures quietly.
Ease of Use
The Sigma 17-70mm F2.8-4 DC Macro OS HSM C is a compact lens that weighs 465g and is 8cm long. It is smaller than other similar zoom lenses from Sigma. This lens works well with cameras like the Canon EOS 70D/Nikon D5500 both in terms of size and style.
This lens is very affordable, but it still has great build quality. The shell is made of plastic, with some metal and a new thermally stable material. The focus ring is narrow, but it’s easy to grip. The high-grade glass makes the images look good.
The Sigma 17-70mm F2.8-4 DC Macro OS HSM C lens is a basic zoom lens with some great features. One of these features is the Vibration Reduction that helps to keep your pictures sharp. This feature can be turned on or off by using the OS button on the lens barrel.
This lens is easy to operate because the focus ring only has a half that is roughened for a better grip. This makes it simpler to set the focus at infinity. The 72mm filter thread does not turn while focusing, which is beneficial for polarizers.
The Sigma 17-70mm F2.8-4 DC Macro OS HSM C zoom lens is a fast lens that quickly focuses on the subject. When we tested it with the Nikon D5500, it took around 0.15 seconds to focus.
The Sigma 17-70mm F2.8-4 DC Macro OS HSM C is a good lens for taking pictures of small things. You can get close to the object you are taking pictures of and it has a magnification ratio of 1:2.8.
Is that for you?
This lens has a very smooth zoom and produces good-quality images. We should also do appreciates the fast aperture and there is much chromatic aberration. How much more you want from a lens that has absolutely every essential feature included. This is considered one of the best lens for Nikon d5500. So go for it without any doubt.
The Nikon AF-S DX NIKKOR 55-200mm f/4-5.6G ED VR II is a camera lens that can be used to take pictures of things from far away. The lens has an onboard autofocus motor and a 4 stop vibration reduction system, which helps you take clear pictures without any shaking.
The iris diaphragm has seven blades to create a smooth out-of-focus rendering. The lens also has an ED glass element with a Super Integrated Coating. This helps to keep the picture smooth, especially when the camera is moving.
Ease of Use
The AF-S DX Nikkor 55-200mm f4.5-5.6G is a lightweight telephoto zoom lens that is perfect for smaller DSLRs like the Nikon D5500. It is easy to carry around, and it looks great in photographs.
The build quality of the Nikon d5500 is good. The majority of the outer components are plastic, but the optical components are composed of high-grade glass. The broad and ridged Zoom Ring ensures that zooming does not become an issue. Our test sample had a little bit of rough zooming action.
The Nikon AF-S DX NIKKOR 55-200mm f/4-5.6G ED VR II lens has some good features and some not-so-good features. Vibration Reduction is one of the good features.
This helps to keep the pictures clear when you are taking them. Another good feature is that it has an on/off switch on the barrel of the lens. However, this lens does not have as many options as some of Nikon’s other lenses do.
The lens has a built-in auto-focus motor that will let it focus on all Nikon DX camera bodies. This means that the lens can automatically focus, including on cameras like the D3300 or D5500, which are lower in the specification. The lack of distance markings and a focus limiter is not a problem here.
The Nikon AF-S DX NIKKOR 55-200mm f/4-5.6G ED VR II lens has a lot of plastic parts, including the mount that connects the lens to the camera. The lens is not supposed to be weatherproof, although there is a rubber seal around the mount that should keep most dust away.
Nikon AF-S DX NIKKOR 55-200mm f/4-5.6G ED VR II lens is very easy to use. The tiny focus knob in front of the much larger zoom ring helps you get accurate focus quickly and easily.
The lens also has hard stops at both extremes, which makes it simple to get accurate focus at infinity. Another useful feature of this lens is that when focusing, the 52mm filter thread rotates, which is great for users who use polarizing filters.
Auto Focusing System
This lens is slow compared to other AF Nikkor lenses. It might take longer to focus on something that is moving. This might be a problem if you are trying to take pictures of something that is in motion. The advantage of this lens is that it performs well in low light.
We didn’t experience much ‘hunting’ in good light. However, low-light focusing may be more difficult. Because the maximum apertures on offer are relatively slow, this isn’t supposed to be a low-light lens. This lens from Nikon is not marketed as a macro lens, but it can take good close-ups. The magnification is 0.23x and the minimum distance for focusing is 1.1m.
Is that lens for you?
Overall, This lens impresses us very much with its unique features. The lens build quality is excellent design. The autofocusing system is quite impressive and even efficient in low light conditions. The price is affordable and value for money lens. This is one of the best lens for Nikon d5500. Go and check out from the given link.
The Nikon AF-S DX Nikkor 55-300mm f/4.5-5.6G ED VR is a zoom lens that is good for taking pictures of things that are far away. The lens has a motor to help it focus and it also has vibration reduction so your pictures come out clear. This lens is for cropped-sensor Nikon digital SLRs.
The lens has 17 different pieces of glass, including two that are made with a special kind of glass and one that is very high in refractive index. All these pieces are arranged in clusters of 11. This helps to create a smooth out-of-focus rendering, which means the background of your picture will be blurry in a pretty way.
Ease of Use
The AF-S DX Nikkor 55-300mm f4.5-5.6G is a lightweight lens that is good for taking photos of things that are far away. It is 580 grams, which means it isn’t too heavy. It looks like it might be too large for the smaller Nikon cameras, but it will still fit. This telephoto lens is of good quality. Most of the external pieces are made from plastic, making the lens light. But the optical pieces are made from high-quality glass.
The zoom ring on this lens is wide and ridged. There were no problems with zoom creep. The zoom operation was smooth when we tested it, but be careful because some lenses have a stiffer zoom ring. The Nikon AF-S Nikkor DX 55-300mm f/4.5-5.6G ED VR is a good lens because it has a vibration reduction feature. This means that the pictures will be less blurry.
But it is not as good as some other Nikon lenses. Another downside is that there is an on/off switch on the barrel of the lens, but there are no options for active or normal modes like with previous versions.
The AF-S Nikkor 55-300mm f/4.5-5.6 lens has a focus wheel in front of the zoom ring. There are firm stops at both ends of the range, making it simple to get focus at infinity. Polarizer users should be aware that the 58mm filter thread revolves around focusing.
The 55-300mm zoom lens is not as fast as some of the other Nikkor lenses when it comes to autofocus. This can be a problem when trying to take pictures of things that are moving quickly, like sports photography. The good news is that I didn’t have to hunt for good light. Low-light focusing might be more difficult, but that’s okay because the lens isn’t meant for low-light situations.
Is that lens for you?
Overall, It’s great to have Nikon 55-300mm f/4.5-5.6G lens in your lens collection. It comes with a powerful long zooming feature and is even good for low light conditions. It is easy to use and the build quality is fabulous. Beautiful colors and bokeh saw in this lens. We think this camera has some of the essential features that the best lens for Nikon d5500 should have. So check out the price below link.
The Nikon AF-S DX Micro-Nikkor 40mm f/2.8G is a lightweight and affordable lens for digital SLR cameras with a 1:1 macro focus. The lens has a silent wave motor (SWM), full-time manual focus override, focus limiter, and super integrated coatings. It also has a minimum focusing distance of only 0.53 feet (6.4 inches).
The AF-S DX Micro-Nikkor 40mm f/2.8G is a lens that is good for people who want to start doing photography of things that are close up. It is also a good lens for people who want to take pictures of things that are not close up.
Ease of Use
The Nikon AF-S DX Micro-Nikkor 40mm f/2.8G is a light lens. It is about 280 grams. That means it is one of the lightest SLR lenses available. It looks great on the Nikon D7000 and fits well with other Nikons like the Nikon D3100 and D5500.
When you focus on things that are far away, the front part of this Sigma lens moves back. But when you focus on things that are close, the front part of the lens moves closer. The focus ring is not very long, but it is good enough for what it is used for.
The Nikon AF-S DX Micro-Nikkor 40mm f/2.8G lens has a transparent plastic cover over the combined magnification and distance scale. There are no markings to show how much depth of field you will get at each aperture, and there is no infrared focus index either.
This lens has a Silent Wave Motor that lets you focus manually even when the focus mode selector is in the M/A position. The lens also has a focus limiter that restricts the focus range from infinity to 20cm.
This can be helpful when using the lens for general purposes, particularly in lowlight situations where focus hunting is possible. This is not weatherproof, but it does have a rubber gasket around the bayonet mount that should offer some protection from dust and moisture.
The lens has a Silent Wave Motor. This means that the lens is quiet when you focus. This is good for taking pictures of people or things that are close to you. The focusing is very quick when you are not in the macro range. When you are in the macro range, it might take a little longer to focus because it is closer to the object.
If you want to take pictures of things that are close up, you need to use manual focus. This means that you have to move the ring on the lens yourself until the thing you’re taking a picture of is in focus. The focus ring on this lens is smooth, so it’s easy to do this.
One disadvantage of the Nikon AF-S DX Micro-Nikkor 40mm f/2.8G lens is that it makes a lot of noise when you focus on something. This means that the size of what you are looking at changes a lot when you focus, which is most noticeable when you are close to things. It might be hard to capture the precise framing that you imagined.
Is that lens for you?
Overall, The manual focusing system of this lens is fascinating. It’s one of the best micro lens for Nikon D5500 without a doubt. It captures amazing micro-details from pictures and is ideal for macro photography. It is lightweight and easy to carry around. You must consider it for micro photography and check out the price from the given link.
Types of lens
Each type of lens has its own strengths and weaknesses, so it’s important to choose the right one for your needs.
A prime lens is a fixed focal length lens, meaning that it can’t zoom in or out. Prime lenses are typically faster than zoom lenses, with wider apertures that let in more light. This makes them ideal for low-light photography, as well as for capturing fast-moving subjects. Prime lenses also tend to be smaller and lighter than zoom lenses, making them a good choice for travel photography.
The main downside of prime lenses is that you’ll need to purchase multiple lenses to cover different focal lengths. For example, if you want to be able to zoom in and out, you’ll need to buy a separate lens for each focal length that you want to use. This can quickly become expensive.
A zoom lens is a lens that offers variable focal lengths, allowing you to zoom in and out as needed. Zoom lenses are often larger and heavier than prime lenses, but they offer a lot of versatility. With a single zoom lens, you can cover a wide range of focal lengths without having to change lenses. This makes them ideal for situations where you won’t have time to swap out lenses, such as when photographing wildlife or sports.
The main downside of zoom lenses is that they tend to be slower than prime lenses, with smaller apertures that let in less light. This can make them difficult to use in low-light situations. Zoom lenses can also be more expensive than prime lenses.
A wide-angle lens is a lens with a short focal length, allowing you to capture a wider field of view. Wide-angle lenses are often used for landscape photography, as they allow you to fit more of the scene into the frame. They can also be useful for indoor photography, as they can help you avoid getting too close to your subject and distorting their features.
The main downside of wide-angle lenses is that they can cause distortion, making straight lines appear curved. This can be fixed in post-processing, but it’s something to be aware of. Wide-angle lenses can also be more expensive than other types of lenses.
A telephoto lens is a lens with a long focal length, allowing you to zoom in on distant subjects. Telephoto lenses are often used for wildlife and sports photography, as they allow you to get close to the action without being physically close to it. They can also be useful for portrait photography, as they allow you to capture your subject’s features in greater detail.
The main downside of telephoto lenses is that they are often large and heavy, making them difficult to carry around. They can also be more expensive than other types of lenses.
Choosing the right lens for your needs is important, but it’s not always easy. There are a lot of different factors to consider, and it can be tough to know where to start. If you’re not sure which lens is right for you, talk to a professional photographer or camera store employee. They’ll be able to help you figure out which type of lens will work best for your needs.
Best Lens for Nikon d5500 – Buying Guide
- Focal length: The best focal length for your Nikon d5500 will depend on the specific type of photography you enjoy. If you frequently shoot landscapes, a wide-angle lens is a good option. For portraits or close-up shots, a telephoto lens may be a better choice.
- Aperture: The aperture of a lens is measured in f-stops, and it indicates how much light the lens can let in. A wider aperture (low f-stop number) lets in more light, which is helpful in low-light situations. A narrower aperture (high f-stop number) is better for shooting in bright conditions or when you want a shallow depth of field.
- Image stabilization: Many lenses now come with image stabilization, which can be helpful when shooting in low-light or handheld situations. Consider the Image stabilization feature before buying a lens for Nikon d5500
- Compatibility: Be sure to check that the lens you’re considering is compatible with your Nikon d5500 camera body. You can compatibility of the lens on brands website or amazon. Because some lenses are made for specific cameras.
- Budget: Of course, your budget is also an important consideration when choosing a lens. Lenses can range in price from around $100 to $1,000 or more. Always go for a lens that is come into your budget. There are many affordable lenses available on amazon.
FAQS (Frequently Asked Questions)
What is the best lens for the Nikon D5500?
The best lens for Nikon D5500 is the Nikkor 18-140mm f/3.5-5.6G ED VR II. This all-in-one zoom lens is ideal for a wide range of shooting situations, from landscapes and portraits to close-ups and action shots.
It features Vibration Reduction (VR) technology for sharper images, even in low light or when zoomed in, and a Silent Wave Motor (SWM) for fast and quiet autofocusing.
What are the different types of lenses available for the Nikon D5500?
There are a variety of lenses available for the Nikon D5500, from wide-angle to telephoto and everything in between. Some lenses are designed specifically for certain types of photography, while others are more versatile and can be used for a variety of applications.
Which lens is best for portrait photography with the Nikon D5500?
For portrait photography, the best lens for the Nikon D5500 is the Nikkor 85mm f/1.8G. This prime lens is ideal for shooting portraits with shallow depth of field and beautiful bokeh. It also has a fast maximum aperture of f/1.8, making it great for low-light photography.
Which lens is best for landscape photography with the Nikon D5500?
The best lens for landscape photography with the Nikon D5500 is the Nikkor 16-35mm f/4G ED VR II. This wide-angle zoom lens is perfect for capturing sweeping landscapes and cityscapes.
It features Vibration Reduction (VR) technology to minimize camera shake and a fast maximum aperture of f/4 for great low-light performance.
What other factors should I consider when choosing a lens for my Nikon D5500?
When choosing a lens for your Nikon D5500, there are a few other factors to consider in addition to the type of photography you plan to do. These include the size and weight of the lens, the maximum aperture, and the focal length range.
You should also consider whether you want a prime or zoom lens and whether you need features like Vibration Reduction (VR) or Silent Wave Motor (SWM).
The Best Lens For Nikon D5500 is the one that best suits your needs and budget. There are some of the lenses we listed above. so it depends on what you’re looking for. If you need a versatile lens that can do it all, then the Nikon 24-70mm f/2.8G ED AF-S Nikkor is a great choice. It’s fast, sharp, and has a wide zoom range.
If you’re looking for a cheaper option, then the Sigma 17-50mm f/2.8 EX DC OS HSM may be a good choice. It’s not as fast or as sharp as the Nikon lens, but it’s significantly more affordable than some other lenses. Whatever lens you choose, make sure it’s compatible with your Nikon D5500 camera.
We hope our guide on the best lens for Nikon d5500 is helpful for you Feel free to comment below for any queries and suggestions. Thanks for Reading!