If you’re in the market for a new lens for your Canon M50, you might be wondering which one is best for you. There are a lot of great lenses out there, but it can be tough to know which one is right for your needs.
In this article, we’ll take a look at some of the best lens for Canon M50 camera, so you can make an informed decision and choose the best one for your needs. So without further delay let’s look into the list of the best lens for canon m50.
|Sigma 50mm F1.4||Check On Amazon|
|Canon EF-M 22mm F2||Check On Amazon|
|Canon 11-22mm f/4-5.6||Check On Amazon|
|Sigma 105mm f/2.8||Check On Amazon|
|Canon EF-M 18-55m f/3.5-5.6||Check On Amazon|
11 Best Lens For Canon M50
Here are my top 11 best lens for canon m50:-
Our first one of the Best lens for canon m50 is The Sigma 50mm f/1.4 DG HSM is designed differently than any other Sigma lens. It has a beautiful metal barrel instead of a plastic one like the last Sigma 50mm f/1.4 lens. The Nikon 50mm f/1.4G feels and handles better than the Canon EF 50mm F/1.8 STM because it is made of plastic.
This lens weight is 815Grams! This lens has a 13-element-in-8-group optical arrangement. It also has three low-dispersion (SLD) elements, as well as an aspherical lens element. This lens is almost three times heavier than the Nikon 50mm f/1.4G and just 155 grams lighter than the Zeiss Otus 55mm f/1.4. When mounted on a camera, it is very noticeable.
Despite its light weight, this lens is well-balanced on pro-level DSLRs because of its all-metal design and metal mount. The Sigma 50mm f/1.4 Art lens has a 77mm filter thread, making it easy to use common clear, polarizing, and neutral density filters without having to buy additional filters or using adapter rings.
The hood protects the front element from flare and ghosting. The large focus ring is smooth and simple to use for manual focusing or filming video. This is a plus.
The focus ring is a little harder to turn on lenses made today. This is because the lens has been designed to be resistant at close and far distances. The distance scale is very accurate and is marked in feet and meters.
There is a small plate on the lens with the letter “A” on it. This means that the lens belongs in the “Art” category of lenses. You can use a switch on the side of the lens to change between AutoFocus and Manual Focus by pressing it. Its performance tells all why this is best lens for Canon M50.
The lens construction is good. There is one exception: weather sealing. The lens can handle a lot, but the camera mount isn’t sealed so you need to be careful about dust getting in between the lens and camera mount. Lens often suck in and out air while focusing. I recommend keeping the rear metal mount area clean to avoid this.
The Canon EF-M 22mm f/2 STM lens is a fast and standard lens for the Canon EOS M camera. This lens has a focal length of 35mm, and it is a great choice for shooting video or taking pictures in live view mode. Additionally, this lens has a fast aperture of f/2 and a short minimum focusing distance of 15cm. The Canon EF-M 22mm f/2 STM can be purchased for £229.99 / $249.99.
Ease of Use
The Canon EF-M 22mm f/2 STM lens is a small and light lens that Canon offers. It weighs only 105g and is 23.7 cm long. It is an EF-M lens, so it will work with any Canon compact system camera body.
The Canon EF-M 22mm f/2 STM lens is a good quality, low-cost lens. It is made mostly of metal, which makes it feel solid in your hands. The metal lens mount is also a nice feature. The focusing ring is wide, but it has a small grip to help you hold it. The lens does not come with a lens hood or casing. Filters of 43mm diameter are compatible.
The focal ring on the EF-M 22mm f/2 STM lens is tiny, seeming to suggest that it won’t be used very often. There are no firm stops at either end of the range, making it harder to achieve infinite focus.
The autofocusing mechanism can be manually overridden at any moment. Focus isn’t impacted by the polariser in this situation. This 43mm filter thread doesn’t rotate when focused on. Manual override is possible for polarizers if you want to use one with this lens.
The Canon EF-M 22mm f/2 STM zoom lens for the EOS M camera is good for autofocusing. It usually takes about .5 seconds to focus on the subject. We did not see much “hunting” in any lighting conditions. This lens is also very quiet because it has a built-in STM motor, which makes it perfect for video recording and food photography.
With the lens wide open at f/2 at 22mm, you can see some light fall-off in the corners, although the Canon EOS M can automatically correct for it when shooting JPEGs. There’s also some mild barrel distortion.
The EF-M 22mm f/2 STM is not a macro lens, but it can get close to the subject. The close-focus point is 15cm from the film/sensor plane. Canon also claims that the lens can reproduce an image of 0.21x.
Bokeh is the name for the areas in a picture that are out of focus. People use words like “crystal clear” “amazing” and “worse” to describe how they look.
The Canon EF-M 22mm f/2 STM has 7 rounded blades that help create a pleasing look for the out-of-focus highlights. After reviewing every feature of this Lens, We include it in our list of best lens for canon m50.
Another best lens for Canon M50 in our guide is The Canon EF-M 11-22mm f/4-5.6 IS STM lens is a new ultra-wide-angle lens for Canon’s compact system cameras. The focal length of this lens is 18 to 35 mm, which is the same as an 18 – 35 mm lens when considering the equivalent focal length. The Canon EF-M 11-22mm f/4-5.6 IS STM lens is a lightweight and compact telephoto zoom lens that has an aperture of f/4.5-f/5.6.
It is designed for more portability and is perfect for filming a video or in live view mode since it has a smooth and quiet continuous autofocus as well as an Image Stabilizer with Dynamic IS. This lens also has a minimum focusing distance of only 15cm and a circular aperture of seven blades, making it very small.
Ease of Use
It only weighs 220g and is 58.2cm in length. This lens is for Canon’s compact system cameras, like the EOS M, and gives an 18-35mm angle of view equivalent when used on those cameras. Even though it is a low-cost and lightweight lens, the build quality is excellent.
The Canon EF-M 11-22mm f/4-5.6 IS STM lens has a solid feel to it because of its mostly metal construction. It is also nice that the lens has a metal mount. The focusing ring is wide and has a narrow ridged palm for finger-tip control. The zoom ring is considerably wider and is covered in the same ridged material as the focusing ring.
The lens barrel has a lock switch that makes the lens shorter. To make the lens longer, rotate the zoom barrel to the 11mm position and start shooting. The lens will now be 74mm instead of 58mm.
The Canon EF-M 11-22mm f/4-5.6 IS STM lens has Image Stabilization, which Canon says improves image sharpness by up to 3 stops when compared with lenses without the technology.
Instead of a side switch, this is controlled via the camera’s menu system. Even though the Canon EF-M 11-22mm f/4-5.6 IS STM lens is one of the most expensive EF-M lenses, it does not come with a lens cap or a protective case. Filters for 55mm are acceptable.
The Canon EF-M 11-22mm f/4-5.6 IS STM lens has a big focusing ring, but it is difficult to find and use in a hurry. The textured part of the ring is only 3mm wide, so it can be hard to find it quickly. There are no hard stops at either end of the range, making focusing on infinity more challenging.
If you want, you can override the autofocus system at any time. But be careful not to bump the camera while it’s focused on something else! People who use polarizers should know that the 55mm filter thread does not rotate when the focus changes.
The Canon EF-M 11-22mm f/4-5.6 IS STM zoom is a fast auto-focusing element on the EOS M with the most recent firmware installed (version 2.02), taking around 0.5 seconds to lock onto the subject.
We did not have a lot of trouble focusing the camera in different lighting conditions. It is also very quiet, which makes it good for taking videos and street photography.
This lens controls chromatic aberrations well. You may see a bit of purple or blue on the edges of images with high contrast, but it is not very noticeable.
When you set the lens to f/4 and use the 11mm setting, you can see that there is a lot of light fall-off in the corners. This is because the aperture is wide open. When you shoot JPEGs, the camera may automatically compensate for this. There is also some moderate barrel distortion visible.
The Canon EF-M 11-22mm f/4-5.6 IS STM is not a macro lens, but it can still take close-up pictures. The close-focus point is 15cm from the film/sensor plane and the maximum reproduction ratio of 0.3x has been quoted for the lens at 22mm focal length.
Bokeh is a Japanese word that describes the blurry parts of a picture. The Canon EF-M 11-22mm f/4-5.6 IS STM has a diaphragm with seven blades that makes the out-of-focus areas look smooth.
The Sigma 105mm f/2.8 EX DG OS HSM Macro is a short-telephoto prime lens that can create a 1:1 life-size magnification. This lens is perfect for close-ups and macro photography. The objective lens is designed with two Super Light-Duty Diagram (SLD) elements to reduce chromatic aberration and color fringing.
The lens is a telephoto zoom lens that has a focal length of 35 to 100 mm and an aperture of f/4 to 5.6. It is designed for full-frame Canon EF camera bodies, but it can also be used with APS-C models, where it has a focal length of 168 mm (APS-C equivalence).
This lens has a bright maximum aperture of f/2.8 that is good for use in daylight conditions. It also provides more control over focus placement when using shallow depth of field techniques. The lens allows for life-size 1:1 maximum magnification as well as a minimum focusing distance of 1′ for close-up work.
This lens uses Extra-Low Dispersion (ED) glass to reduce chromatic aberration and color fringing. This makes the image clearer and also enhances contrast in backlit situations. A Super Multi-Layer Coating has also been applied to the lens elements to reduce lens flare and ghosting.
Hyper Sonic Motor (HSM) makes the autofocus fast and quiet. The internal focusing design also helps keep the image quality consistent across the entire range. The floating elements mechanism helps maintain image quality even when you are focusing on something close-up.
The built-in Optical Stabilizer helps reduce camera shake for better handheld shooting. The rounded nine-blade diaphragm enhances the bokeh quality. Teleconverters that are compatible with the APO 1.4x EX DG and APExtreme help improve image quality. Overall, The lens is quite and thats why we consider it as best lens for Canon M50.
Performance of this lens is massive and why not be include it in list of best lens for Canon M50. The Canon EF-M 18-55mm f/3.5-5.6 IS STM is a lens that is designed for the EOS M series of cameras from Canon. It is a standard zoom lens that has a smooth and quiet operation when filming a video or taking pictures in live view mode.
Optical Image Stabilizer for keeping your photos and videos looking sharp even when you move around while shooting. Furthermore, this lens has a manual focus override function so that you may quickly change the focus if the camera is set to autofocus mode, as well as a minimum focusing distance of 25cm.
Ease of Use
The Canon EF-M 18-55mm f/3.5-5.6 IS STM is a lightweight and small standard zoom lens that is available from Canon. It only works with Canon’s compact system camera bodies and has an angle of view equivalent to 29-88mm.
The Canon EF-M 18-55mm f/3.5-5.6 IS STM lens is good quality, lightweight lens. The mostly metal construction makes it feel solid in your hands, and the metal lens mount is great to see.
The focusing ring is a bit thick, but it has a narrow ridged grip for finger-tip operation. The zoom ring is considerably larger and has a virtually identical ridged covering.
The Canon EF-M 18-55mm f/3.5-5.6 IS STM lens includes a feature called Image Stabilization. This means that the lens will be steadier and the pictures will come out sharper, especially in low light conditions.
The Image Stabilization is turned on via the camera’s menu system, which is easy to do. You don’t need to worry about carrying a separate hood or case for this lens; it comes with a built-in hood and it accepts filters with a diameter of 52mm.
The Canon EF-M 18-55mm f/3.5-5.6 IS STM lens has a wide focusing ring, but it is more difficult to find and use quickly because only 3mm of the width has a textured surface.
There are no hard stops at either end of the range, so it is harder to set focus at infinity. However, at any time, manual override of the autofocusing system is available. The good news is that the filter thread on this model doesn’t rotate when focused on.
The EOS M’s 18-55mm STM zoom lens, like many other lenses in this class, has a delay when it comes to auto-focusing. The latest firmware (version 2.02), on the other hand, speeds up the process somewhat, taking about 0.7 seconds to acquire focus.
In either good or bad lighting, the lens is correctly focused almost all of the time; and it’s also a very quiet performer owing to the built-in STM (Stepping Motor).
This lens doesn’t control chromatic aberration very well. This means that you might see blue or purple fringes near contrasty edges.
The Canon EOS M has a lens that is wide open at f/3.5 and 18mm. This means that there is a lot of light fall-off in the corners. But when you take JPEGs, the camera can automatically fix this problem. Barrel distortion can also be seen in the pictures.
The EF-M 18-55mm f/3.5-5.6 IS STM is not a macro lens, but it can take close-up pictures. The close-up point is 25cm from the sensor or film plane and Canon claims that at 55mm focal length, the lens can take pictures of things that are 0.25x as big as they would be if you took the picture with your eye.
Bokeh is the name for the blurry parts of a picture. It’s usually smooth or creamy. The Canon EF-M 18-55mm f/3.5-5.6 IS STM has a diaphragm that makes the out-of-focus areas look good.
One of the best lens for Canon M50. The new Canon EF-M 18-150mm f/3.5-6.3 IS STM lens is perfect for EOS M users. It is available as part of the EOS M5 camera kit and it has a focal length equivalent to 29-240mm. Remember that APS-C format cameras are 1.6x crops, so this lens will be great for capturing a variety of images.
The Canon EF-M 18-150mm f/3.5-6.3 IS STM lens has 13 groups with 17 pieces. There are 7 blades for the diaphragm. The lens also has a 4 stop image stabilizer. This lens is perfect for anyone who wants to take pictures of things that are both close and far away.
Ease of Use
The Canon EF-M 18-150mm f/3.5-6.3 IS STM lens is available in black and silver. The silver side is on the outside. When you twist the lens to zoom in, it becomes black inside.
Around the lens are two rings: a large ring in the center of the lens that allows you to zoom in and out, and an inner ring that is textured and makes it easy to locate when zooming out or in.
Zooming in and out happens quickly but smoothly – but it’s slow enough to feel deliberate, so you won’t accidentally move the lens too far one way or another if you don’t want to do so. The second ring is behind the zoom ring. This ring is much thinner than the zoom ring. Half of this ring has a texture on it so you can feel it easily.
The focusing ring only comes into play when you’re using manual focus, which you will have to do on the camera since there’s no button or switch to change from AF to MF on the lens itself.
To attach the Canon EF-M 18-150mm f/3.5-6.3 IS STM lens to the camera, you need to line up the white dot on the lens with the white dot on the camera’s lens mount. The black markings on the lens also show different focal lengths, starting at 18 and going up to 150mm. These are real focal lengths, not just equivalent ones.
The 18-150mm lens is great because it is easy to carry around, takes great photos, and works well in low light. We have been using the EOS M5 camera with this lens – a camera that seems to be especially good for this lens. Just keep in mind that there may be a shadow if you take pictures at certain angles.
This Canon EF-M 18-150mm f/3.5-6.3 IS STM lens has a 55mm thread and it comes with an EW-60F Lens Hood. This lens is well constructed, but it is light enough that it does not affect the camera or tilt the balance when shot with one hand.
The Canon EF-M 18-150mm f/3.5-6.3 IS STM lens is good for many different situations. It usually focuses on the subject easily, but if the light is low and there is not much contrast, the camera might have trouble focusing.
If you try to focus too close to the subject, the lens will try to focus but it will usually show a red box around the area it is trying to focus on in the camera’s screen.
The Canon EF-M 18-150mm f/3.5-6.3 IS STM lens resists chromatic aberration well – I could not find any examples of it even when examining high contrast regions of an image at 100 percent depth.
At the widest focal length of 18mm, you can see that, at the maximum aperture of f/3.5, there is some loss of light in the corners of the image. The effect is reduced by half between f/3.5 and f/4.0, and it is almost eliminated at f/5.6
The maximum aperture is determined by the focal length. The longest focal length of 150mm has an aperture of f/6.3. In most shooting situations, there is almost no light loss at this aperture setting, or it is insignificant and not annoying.
When you compare the raw format files to the JPEG pictures, you can see that there is more vignetting at all focal lengths. That’s because no lens correction was applied to the photos.
The Canon EF-M 18-150mm f/3.5-6.3 IS STM lens can focus on things that are close and far away. If you are close to what you are photographing, the lens can focus as close as 0.25mm away. But if you are further away, the lens can only focus as close as 0.45mm away. Keep in mind that the maximum magnification is only 0.31x when using this lens.
The Canon EF-M 18-150mm f/3.5-6.3 IS STM lens is a superzoom lens that has a modest aperture. This means that it can create shallow depth of field effects that are attractive. We used this lens for canon m50 and results are fine, This is one of the best lens for Canon M50.
Another best lens for Canon M50 is The Sigma 16mm f/1.4 DC DN | C lens is a great lens for many different types of photography. Its “effective” focal length is 25.6mm, which is the equivalent of a 24mm lens on Sony E mount crop-sensor bodies or a 32mm lens on Micro Four Thirds cameras. This makes it a great choice for wide-angle shots, street photography, nature shots, architectural interiors, and more.
The Sigma Contemporary lens line is designed to be lightweight and space-saving. This 16mm lens has the same focal length and aperture rating as the company’s 16mm f/1.4, but it weighs less than half a kilogram (405g).
It is also notably small for a lens with such a fast maximum aperture of 72° and 70x92mm dimensions when measured with a 67mm filter thread. With its bayonet-fitting hood, it comes complete.)
The lens is well-made and seems like it will hold up well. The controls are easy to use, but they look really nice. The only moving part is the focus ring, which is wide and smooth. This is because there’s no mechanical connection- it’s electrically linked to the silent stepping motor that drives the focusing system.
The front element of this lens has between 10 and 16 optical components. This includes 3 FLD (‘Fluorite’ Low Dispersion), 2 SLD (Special Low Dispersion) and 2 aspherical elements.
The goal is to improve sharpness and contrast while minimizing chromatic aberrations and distortion. Super Multi-Layer Coating is also used to reduce ghosting and flare by reducing ghosting and flare.
This new M-mount lens is preloaded with data that helps to correct in-camera aberrations, like peripheral illumination and chromatic aberration, in the host camera. This is similar to how previous Sigma Global Vision lenses for Canon DSLRs work.
Having a fast lens is good, but only if the picture quality is good too. The lens needs to be sharp and have good contrast when it is open all the way. Another good thing about this lens is that it has a wide aperture and you can get a nice depth of field.
Even though this is a fast and wide-angle lens, the vignetting is hardly noticeable after it has been uncorrected in the camera. It becomes almost imperceptible when you stop down to f/2. The ghosting and flare are also well controlled, as is barrel distortion.
This Sigma lens is a high-quality lens that has a fast aperture. It is large and expensive, but it is worth the price. The lens is beautifully constructed and feels great in your hands. It also takes fantastic pictures. The lens is small and lightweight, which makes it perfect for mirrorless crop-sensor cameras.
A fast standard prime standard zoom lens that comes with most mirrorless crop-sensor camera bodies might not be the best option. You might be better off with a fast standard prime lens, like the Sigma 30mm f/1.4 DC lens.
This type of lens has a fixed focal length, which is about 45 mm (APS-C) or 60 mm (MFT). you don’t have the flexibility to change the viewing angle. But you do have a greater depth of field and a more natural perspective thanks to your wider aperture and closer focus distance.
This lens is much faster than Canon’s 15-45mm kit lens. It has an aperture rating of f/1.4. That means it is four times faster than the kit lens when they are both used at the same focal length. This lens will also help you take pictures in low light without having to raise the ISO setting on your camera as high.
BUILD & HANDLING
The Sigma ‘DN’ Contemporary lens is a new lens that was released at the same time as the old Sigma ‘DC’ Art lens. The new lens is 10mm longer and 10mm narrower. It also has a smaller 52mm filter thread and weighs 265g, which is less than the old lens (306g).
Overall, it appears to be very well suited for tiny, light mirrorless cameras from Canon, Olympus, and Sony. This Sigma lens is similar to other Sigma lenses. All of the Sigma lenses are made of a strong material that doesn’t expand when it gets hot or cold.
This keeps the lens strong and helps it last longer. The lens also comes with a high-quality hood. The hood has a finish that prevents it from slipping.
The Sigma 30mm lens has a silent stepping motor that helps it to autofocus quickly and easily. This is just like the autofocus on other mirrorless lenses. To make it work, you need to use the focus ring on the camera’s battery. This ring is comfortable to hold and makes accurate adjustments.
The optical path in this lens is made up of nine components in seven groups. The lens does not have elements that are used in Sigma lenses to boost sharpness and contrast while reducing chromatic aberrations.
The Sigma lens is heavier than some lightweight lenses for mirrorless cameras. It has a metal mounting plate, rather than plastic. However, it is not weather-sealed. There is no optical stabilizer in this lens, but it’s not a problem for people who have cameras from Olympus or Sony that have a built-in stabilizer.
When shooting with a wide-open aperture of f/1.4, the sharpness is very good. When you get close to something and take a picture, the depth of field will be very small. This is because the aperture is wide open.
Bokeh (the quality of out-of-focus areas) will be smooth when you use a smaller aperture and it will stay smooth when you use smaller apertures too because this lens has a 9-blade diaphragm.
The main downside of this lens is that it may sometimes show purple and green fringes around high-contrast portions in front of or behind the point of focus, appearing as purple and green fringes around high-contrast junctures in front of or behind the point of focus.
Axial chromatic aberration is a problem that can happen anywhere in a picture. But the Sigma lens is not bad at this. In fact, it does better than many other fast lenses when you stop down one stop. This means that the fringing goes away.
This lens has great performance overall. There is very little lateral chromatic aberration and barrel distortion. The contrast and color accuracy are both perfect. You can even shoot wide open without losing any quality.
This is a good choice for a high-performance standard prime. It has excellent build quality and good handling, plus it performs well overall. It’s lightweight and affordable, too. This Sigma lens is quick, accurate and smooth when taking photos.
The image quality is good, but it may have some problems with chromatic aberration when taking pictures at a wide angle. Considering everything, this lens is a great value for the price. In terms of performance lens is amazing hence we include it in our list of best lens for Canon M50.
After using many times, we could say the performance of this lens is Top-notch. Lens reserve its seat in our list of best lens for Canon M50. The EF-M 55-200mm f/4.5-6.3 IS STM Lens from Canon is a zoom lens designed for APS-C format cameras, including the EOS M-series mirrorless models.
This lens has a versatile range of telephoto views, and uses one aspherical element, one Ultra Low Dispersion (UD) to minimize chromatic aberrations and distortions throughout the extended zoom range, and one ED lens elements to minimize spherical aberration over the full zoom range.
An Optical Image Stabilizer is included in the camera to help you take pictures without shaking. This will help you take pictures without having to use a tripod, even if your hands are shaky.
The STM autofocus motor has been improved to help with taking pictures and videos. Now, if you need to make a finer adjustment to the focus, you can use full-time manual focus. For APS-C format mirrorless cameras, the telephoto zoom lens for EF-M mount offers a wide focal length range.
For improved sharpness and clarity, one aspherical element and one UD element are used to minimize chromatic aberrations across the zoom range. The lens has a Manual Focus Assist function that helps you switch to manual focus control in AF mode so you can focus more precisely.
When working with a narrow depth of field or focusing selectively, the rounded seven-blade diaphragm creates an out-of-focus quality that is smooth. The five-group optical zoom system ensures a small, light form factor that is well-suited to the EOS M mirrorless camera’s elegant profile.
The Tamron 18-200mm f/3.5-6.3 Di II VC Lens is a 3D lens for Canon EF mount DSLRs that has a focal length of 28.8 to 320mm. This lens uses one aspherical, one low dispersion, and one low dispersion element to reduce distortion and aberration across the zoom range.
This lens is perfect for taking pictures of things far away or close up. The lens has been designed to reduce vibration, which minimizes camera shake when photographing handheld in difficult lighting situations.
The DC motor gear train AF drive module helps with fast and accurate focusing, providing smooth and quiet performance for both photos and videos. Additionally, the moisture-resistant design allows you to work in a variety of environments. This 18-200mm lens has a refined optical construction that makes it great for any situation.
The Canon EF-S 18-55mm f/3.5-5.6 IS II Lens is a versatile lens that is good for taking pictures of things far away and also close up. It is small and easy to carry around with you, which makes it good for travel and street photography. VC Image Stabilization helps reduce camera shake, making it possible to take pictures in low light or with a slower shutter speed.
The moisture-resistant construction protects the lens from damage when shooting in wet weather conditions, while the rounded seven-blade diaphragm produces a pleasing out-of-focus effect when using selective focus or shallow depth of field techniques. Due to its price, We should consider it as best lens for Canon M50.
Types of lens
There are generally 3 types of lenses that are best for the Canon M50:
Prime lenses are best for low light situations and offer the best image quality overall. They typically have a wider aperture than zoom lenses, which allows more light to enter the camera and results in sharper images. However, prime lenses can be more expensive and usually don’t offer as much flexibility as zoom lenses.
Standard zoom lenses are versatile and offer a good balance between price and performance. They typically have a moderate aperture, which is wide enough for most situations but may not perform as well in low light as a prime lens. Zoom lenses also give you the ability to change your focal length, which can be helpful for framing shots.
Telephoto zoom lenses are best for distant subjects and offer more flexibility than standard zoom lenses. They typically have a smaller aperture than prime lenses, which can make them less ideal for low light situations. However, the extra telephoto power can be helpful for getting close-up shots of faraway objects.
Best lens for Canon M50 – Buying Guide
Canon M50 is a great entry-level DSLR camera that offers excellent image quality and features. If you are looking for the best lens for Canon M50, then you need to consider a few things before making your purchase. Here are some things to keep in mind when choosing the best lens for Canon M50.
The first thing you need to check is whether the lens is compatible with your Canon M50 camera. There are many different lenses available in the market, but not all of them are compatible with all Canon cameras. So, it is very important to check the compatibility of the lens before buying it.
Aperture is one of the most important factors to consider when choosing a lens for your Canon M50. The aperture is the size of the opening in the lens through which light passes. A larger aperture allows more light to pass through and results in a brighter image.
However, a large aperture also results in a shallow depth of field, which means that only a small part of the image will be in focus. If you want to take pictures with a large depth of field, then you should choose a lens with a smaller aperture.
Image stabilization is another important factor to consider when choosing a lens for your Canon M50. This feature is very useful if you want to take pictures in low light conditions or if you want to take pictures of moving objects. Image stabilization reduces the amount of blur in the image and makes it easier to take clear and sharp photos.
Low light performance is another important factor that you need to consider when choosing a best lens for canon m50. If you want to take pictures in low light conditions, then you should choose a lens with a large aperture. A larger aperture allows more light to pass through and results in a brighter image.
AutoFocus is another important feature that you need to consider when choosing a best lens for your Canon M50. This feature is very useful if you want to take pictures of moving objects. AutoFocus helps the camera to focus on the subject automatically and makes it easier to take clear and sharp photos.
Zoom range is another factor that you need to consider when choosing a best lens for your Canon M50. The zoom range is the range of focal lengths that the lens can cover. A larger zoom range allows you to take pictures of subjects at different distances. However, a large zoom range also results in a higher price.
Price: Price is another important factor that you need to consider when choosing a best lens for your Canon M50. There are many different lenses available in the market, but not all of them are affordable. So, it is very important to check the price of the lens before buying it.
These are some of the things that you need to consider when choosing the best lens for Canon M50. Keep these factors in mind and choose the best lens for your needs.
FAQS (Frequently Asked Questions)
What is the best lens for Canon M50?
The best lens for Canon M50 is the EF-M 22mm f/2 STM Lens. This lens is a great option for M50, as it is compact and lightweight. It also has a fast maximum aperture of f/2, which allows you to capture images with shallow depth of field.
What are some other good lens options for the Canon M50?
Some other good lens options for the Canon M50 include the EF-M 32mm f/1.4 STM Lens and the EF-M 18-150mm f/3.5-6.3 IS STM Lens.
What are some beginner-friendly lenses for the Canon M50?
Canon M50 EF-M 18-55mm f/3.5-5.6 IS STM kit lens is a beginner friendly lens for Canon M50. You can also consider EF 50mm f/1.8 STM prime lens and the EF-M 22mm f/2 STM pancake lens.
What are some professional lenses for the Canon M50?
Some of the proffessional lenses for the Canon M50 is EF-M 55-200mm f/4.5-6.3 IS STM telephoto lens and the EF-M 28mm f/2.8 macro lens.
There you have it – We listed every best lens for canon m50 in our list. So now the question arises which lens is best for you?
The best lens for Canon M50 is the EF-M 22mm f/2 STM. This fast, wide-angle lens is ideal for shooting in low light and capturing sharp images and video. It’s also compact and lightweight, making it a great choice for travel photography.
If you’re looking for a versatile zoom lens, the EF-M 18-150mm f/3.5-6.3 IS STM is a great option. It’s perfect for everything from landscapes to portraits, and its image stabilization system will help you capture crisp, blur-free photos and videos.
The best thing about the Canon M50 is that it’s compatible with all EF and EF-S mount lenses, so you have a wide range of options to choose from. No matter what your photography goals are, there’s a lens out there that will help you achieve them. Thanks for Reading!