One of the most often used lens lengths in photography is 50mm. This article will assist you in selecting the best 50mm lens for Sony cameras. A 50mm lens is always a safe bet. It features an adjustable focal length that works in a variety of circumstances.
It is not suitable for landscapes since it is significantly narrower. Similarly to that, it is too short to take telephoto pictures. However, regardless of the application, it consistently produces good outcomes.
Any lens won’t function with cameras that have interchangeable lenses, as those in Sony’s mirrorless system. You must look for one specifically designed for your camera. There are a heck of a lot of lenses to pick from if you choose the Sony system because it has benefited from a decade of lens research.
It is a strong, comprehensive lens system that gains from Sony’s early investment in mirrorless technology as well as assistance from various third parties. It’s everything covered, in one way or another, whether it’s ultra-wide, macro, or telephoto.
However, deciding which lens is best for you might be challenging, particularly if you’re new to photography. But Don’t worry, we are here to help you out.
The benefit of using a 50mm lens?
For most things, a 50mm focal length works well. But in other circumstances, including portraiture, street photography, and extraordinary close-ups, it is more appropriate. Because most 50mm lenses have fairly big apertures, it is also ideal for low light and night photography.
It enables you to capture stunning images in the dark without significantly raising ISO. Likewise, shooting more quickly will reduce motion blur. Even for landscapes or architecture, 50mm is an option, but you will have to be okay with some quality loss. Even with an APS-C sensor, the focal length is simply too short to take photographs of animals.
Like other lenses, the performance of a 50mm lens is also determined by the sensor size. On an APS-C camera, 50mm will be comparable to 75mm, giving you a slightly greater focal length for telephoto shots. But if you use a full-frame camera, you’ll get the standard 50mm.
Best 50mm Lens For Sony Cameras
The new and fantastic Sony FE 50mm F1.2 GM lens is an addition to the popular 50mm family of lenses. Although it is quite pricey, the amazing features and functionalities it gives make it worth the cost.
Before the release of Sony’s FE 50mm F1.2 GM, Canon’s RF 50mm F1.2 and EF 50mm F1.2 lenses for DSLRs and mirrorless cameras, respectively, were the two most widely used 50mm F1.2 lenses. Its primary rival is the NIKKOR Z 50mm F1.2 S. However, the Sony lens is more affordable and lighter than both the Canon and Nikon lenses.
Due to its extraordinarily wide F1.2 aperture, the full-frame lens performs superbly in low light. Additionally, it permits quick shutter speeds, allowing you to take stunning handheld photos without significantly raising the ISO. Not to add, a shorter depth of field is another effect of rapid apertures.
The lens’s 11-blade circular diaphragm and F1.2 aperture provide a luxurious background blur. Remember that the rival Nikon and Canon lenses each have nine and ten blades.
Due to its low spherical aberration, the lens provides astounding sharpness in all directions. Even at F1.2, the photos are very crisp, outperforming both Canon and Nikon lenses. At wider apertures, no other lens provides similar image sharpness.
You require quick focusing due to all of the aforementioned attributes, notably the shallow depth of field. Four autofocus linear motors with exceptional dynamics are present in the lens. Fast and incredibly sharp autofocus is used. Additionally, a manually adjustable focus ring that is electrically connected is included.
Particularly if an F1.2 aperture is not something you require, the lens is too pricey. At F1.2, there is significant vignetting, but you can get rid of it with in-camera adjustments.
If you have $2000 to spend on a lens, the Sony FE 50mm F1.2 GM is the finest 50mm lens for Sony. It provides exceptional clarity together with lovely bokeh, great handling, and lightning-fast autofocus.
Sony – FE 50mm F1.8 Standard Lens – Most Affordable 50mm Lens for Sony
One of Sony’s lightest lenses is the crop-sensor 50 mm f/1.8 OSS. It strikes the ideal balance between the focal length and aperture.
The lens has a quick and silent autofocus. it is effective for close-up interior work, films, and portraits. It comprises seven circular aperture blades and nine components divided into eight groups.
In comparison to third-party alternatives, it offers better visual stability, and the images are crisper. The ideal prime lens for your crop-sensor body is this one. And the pricing is astounding!
To combat coma and spherical aberration, the EF 50mm lens has aspherical elements. The corners, though, are soft and a little fuzzy. But rather than paying great attention to the edges, the majority of folks will just like the background blur.
Using a double-glass setup, the lens also lessens field curvature and visual distortion. The autofocus is likewise really quick, but only up to F4. To track objects with bigger apertures, more time is required.
The construction quality is inferior to that of the more costly alternatives. At larger apertures, corners are also blurry and fuzzy.
The Sony E 18-105 mm f/4 ED G OSS lens is a versatile lens for Sony cameras with APS-C sensors. It includes several different focal lengths.
For street or travel photography, it is ideal. This crop-sensor lens from the G Series appears to have it all as an optically stabilized lens.
The lens features seven circular aperture blades and 16 elements organized into 12 groups. A PowerZoom lever on the barrel enables seamless zooming. In comparison to some other APS-C lenses, it is a little heavier. However, it is soundproof and well-built.
Not Sony’s sharpest lens, unfortunately. However, it has a decent image quality and is adaptable. You can obtain a nice lens at a fair price if you purchase this one!
Within a relatively short amount of time, Sony both introduced the Sony FE 50mm F1.2 GM and Sony FE 50mm F2.5 G Full-Frame lenses. You might wish to choose the latter lens rather than the first one. The Sony FE 50mm F2.5 G has a lot more to offer than you would realize, I’ll tell you that much.
It is a very compact and lightweight lens, to start with. You can use it in locations where the Sony FE 50mm F1.2 GM is just inaccessible. Similarly to that, you can use it all day long on cameras like the Sony a7 and a7iii without getting arm aches. It does not cause the camera to become unbalanced like other large E-mount lenses for Sony.
When you have to depress the aperture ring for video, it is likewise quite positive and strong yet incredibly smooth. Unfortunately, the lens lacks a focus distance scale, making it unable to use depth of field.
When it comes to performance, the lens is just fantastic. It had two linear autofocus motors that operated softly, fast, and flawlessly.
In real-world shooting, the image quality is on par with Sony FE 50mm F1.2 GM and Sony FE 40mm F/2.5 G. Both uncorrected RAWs and JPEGs are free of distortion, just like the other two lenses. In lab tests, it falls short of the FE 40mm D/2.5 G’s edge sharpness at larger apertures. The difference, however, is too little for spectators to perceive.
There is no image stabilization on the lens. Due to the built-in picture stabilization in Sony a7 series cameras, it is not a huge concern. Similarly to that, it performs less well in low light and is a full two stops slower than the FE 50mm F1.2 GM.
Amazing picture clarity and sharpness throughout are the lens’ finest features. In addition to very good coma correction and little vignetting, the CA correction is also quite good.
As you may expect, the F1.4 aperture is perfect for creating a beautiful bokeh. In the same vein, the lens’ superb light-collecting capabilities make it ideal for astrophotography and low-light situations.
On APS-C cameras, the 50mm focal length becomes 75mm. So, it’s also appropriate for medium telephoto pictures.
The effectiveness of the autofocus is also decent. The lens’s manual focus ring is easily accessible. Even when the aperture is wide open, the focus point clarity is amazing.
Of course, the lens’ large size and weight is its main disadvantage. It is a rather excellent lens for Sony DSLR cameras aside from that.
A good price-to-performance ratio is provided by the Sigma Art 50mm F1.4. Even though the lens is rather hefty, it produces stunning images with exceptional clarity, which is what most people desire.
Another excellent native 50mm lens for Sony is the Sony – E 50mm F1.8 OSS, which is deserving of attention. Similar to the Samyang F1.4, it is an inexpensive, lightweight lens that is also a little slower.
Despite being inexpensive, the lens has internal image stabilization, which is uncommon for 50mm lenses. As a result, it is a fantastic choice for those who enjoy handheld shooting.
Although slower than the F1.4 lenses from Samyang and Sigma, the F1.8 aperture is still wide enough to produce lovely bokeh and perform well in low light. It is less acute than both of its rivals, though. If you desire outstanding image sharpness, you should choose either a Samyang or a Sigma F1.4 lens.
At F1.8, the pictures are just passably excellent in the middle; the margins are rather blurry. While quality increases at F2.8, uniform pictures are obtained around F4-5.6. The lens is offered with a lens hood and has a decent build quality.
At full aperture, the lens showed considerable chromatic aberration and quite noticeable vignetting. Both of these issues, though, are fixable during post-processing.
The best 50mm lens for Sony in its price range is the Sony – E 50mm F1.8 OSS. However, if your price is not an issue and you require clearer shots, I would suggest purchasing either a Sigma or Samyang F1.4.
Frequently Asked Questions
What is the Sony 50mm lens good for?
You can use 50mm lenses in any circumstance since they are adaptable. For instance, they work well for close-ups, close-up portraits, and street photography. You may use 50mm lenses to produce stunning bokeh, a narrow depth of focus, and great low-light performance because the majority of them feature quicker apertures.
Can I shoot macro with 50mm?
You can use any lens to take macro pictures. The real macro size or 1:1 picture is available at 50mm, though. Longer lenses cannot provide the incredibly long magnification that it does.
What type of photos do you take with a 50mm lens?
Photographers who want to capture beautiful close-ups, candid moments, street scenes, and portraits should use 50mm lenses.
Is 50mm the best focal length?
I believe the most adaptable focal length is 50mm. It enables you to carry only one lens with you and may be used in practically any circumstance. Similarly, because of the lesser distortion, images captured with a 50mm lens are pretty comparable to what the human eye perceives.
Finally, we must conclude that 50mm is the ideal focal length for any situation. It works in practically every circumstance and consistently produces excellent outcomes. Similarly to that, Sony offers a wide variety of 50mm lenses.
In this post, we’ve just touched the surface while attempting to highlight the finest 50mm lenses compatible with Sony full-frame and APS-C cameras. That’s all for now! If you think that this article is helpful for you in any manner then share it. Don’t forget to bookmark our site for more interesting articles. Thanks!